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PIANO JAZZ, when the music flows between black & white keys


The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument’s combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument. (cit. Wikipedia)



When speaking about the history of jazz piano, we should remember that the piano is a unique instrument. It can play melody, harmony and bass, making it capable of functioning as both an accompanying, as well as a lead instrument. Apart from that, it is a magnificent solo instrument. If that’s not enough we can also see that as jazz piano music developed, the rhythm possibilities improved enormously, making this instrument sound like a full orchestra. (cit. Piano Play It, the History of Jazz Piano)



“Jazz” and “Piano” are always present among the most frequent terms which usually bring new visitors into this blog. This is because of a few appreciated posts that I dedicated in the recent past to this particular sub-genre of music, and also a succesful mixtape that was shared last year with some of the best tracks of 2017.


Indeed, the combination of piano and jazz brings with it all the elements of success. When the wide dynamic of timbres given by the piano meets with the class and inspiration of the most talented artists, the result is something that often transcends the boundaries of jazz and becomes an universal testimony of art and beauty.

To celebrate and enjoy the most exciting and brethtaking works for piano I have started to collect in a dedicated compilation all the best songs of the moment. The playlist, which is simply called PIANO JAZZ, will be updated periodically with new tracks, as it already happens for all the playlists that are managed by this blog.


At the moment of its publication, the playlist features brand new tracks by Brad Mehldau‘s new LP After Bach, Tigran Hamasyan‘s recent EP For Gyumri, and Rémi Panossian‘s new collection of pieces for piano named DO. Together with these artists, we have other masters of Jazz of the caliber of Omer Klein, Jan Lundgren, Michael Wollny and Cameron Graves.

I’m sure that this playlist will be appreciated by Jazz fans but also by every music lover. As already said, good music has always the capacity to become universal and a gift for every single person who has the capacity to open his soul and free his mind.


brad mehldau, 1300.jpg
American pianist and composer Brad Mehldau released on March 9, 2018 the album After Bach, which comprises the recordings of four preludes and one fugue from J.S. Bach, each followed by an “After Bach” piece written by Mehldau and inspired by the corresponding Bach’s song.



Tigran 2 - 1300
Armenian pianist and composer Tigran Hamasyan released on February 16, 2018 the EP For Gyumri, which is the ideal companion to his beautiful previous LP An Ancient Observer.




Rémi Panossian 1300.jpg
After touring the world with his trio, Frenc jazzist Rémi Panossian decided to reveal himself in a more intimate album of solo piano. The LP, named DO, was released on February 2018.



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