Sometimes I find myself thinking about how many groups or artists try to reach the hearts of their fans with compulsively conceptual songs, or stylistic choices that want to be innovative, but that ultimately do nothing else than putting an unnecessary distance between the music and the listener. Then, all of a sudden, a young musician arrives, with just her voice and a guitar, and she sweeps away all these overcomplicated artefacts with the simplicity of beautiful songs that speaks directly to the heart.
Julia Jacklin is an Australian singer and songwriter based in Sydney, and she has released in late February 2019 her second LP, Crushing, which follows her 2016’s impressive debut studio album, Don’t Let the Kids Win. Similarly to what happened on the occasion of her first record, the first thing which impresses of Crushing is the remarkable emotional intensity of the songs. These are reflections and flashes made by the artist on her life and her past experiences, translated into music with a naturalness and a sense of urgency and immediacy that cannot leave us indifferent.
When you listen Julia Jacklin’s new record, it really seems to be alongside an old friend of ours who decided, on a rainy day, to tell us about some of the strongest emotions she has experienced in the last few years, and she does it with passion, transport, and using a musical language that’s simple, as it is effective and confidential.
This album came from spending two years touring and being in a relationship, and feeling like I never had any space of my own. For a long time I felt like my head was full of fear and my body was just this functional thing that carried me from point A to B, and writing these songs was like rejoining the two.Julia Jacklin, from her Facebook page
From a musical point of view, the songs of Crushing stay right on the border that separates indie pop from folk. The instrumentation, in particular, is that typical of folk music: the tracks develop mainly on Julia’s voice and guitar, with a simple rhythmic session made by repeated notes of bass and slow beats on the drums. Rarely we hear a piano. The simplicity of the arrangement, however, is compensated by warm and beautiful sounds of all the instruments, which in the end enhance the sense of intimacy of the tracks.
As far as the style of the songs is concerned, Crushing alternates between poetical moments with meditative and confidential tones, and others where the rhythms rise (relatively) and the songs embrace a rock and roll feeling. The first category of songs is that one that impressed me the most, and which in my opinion makes this LP so beautiful and gorgeous. The opening song of the LP, Body, is perhaps one of the most expressive and engaging tracks I’ve heard in recent times. The song tells of the end of a relationhsip, and of how the destiny can have an impact on our lifes in the most unpredictable ways.
On the album-opening lead single “Body,” Jacklin proves the power of that approach, turning out a mesmerizing vocal performance even as she slips into the slightest murmur. A starkly composed portrait of a breakup, the song bears an often-bracing intimacy, a sense that you’re right in the room with Jacklin as she lays her heart out. And as Body wanders and drifts, Jacklin establishes Crushing as an album that exists entirely on its own time, a work that’s willfully unhurried.Excerpt from Julia Jacklin’s Facebook page
Crushing is an album filled with emotions and played with passion and elegance. Julia Jacklin is improving her style and storytelling skills year after year. We can really expect the best from her future career.
I’m giving the LP an overall rating of 8/10. As I said, I was particularly impressed by the most intimate and delicate songs of the LP, which include the already mentioned Body, Don’t Know How to Keep Loving You, Convention, Turn Me Down, and Comfort.
Songs from Crushing are now featured in a number of different playlists among those I curate on Spotify, namely: CRESTS OF WAVES (the softer side of music), THE INDIE FOLK RADAR (the best of Indie Folk since the beginning of 2019), THE INDIE POP RADAR (the best of Indie Pop since the beginning of 2019), and MODERN SONGWRITERS. Check these out and follow the playlists, these are updated frequently with new songs.