When an artist or a band decides to mix together different styles and influences, the result usually depends on two main factors: first, it’s necessary that the various components are well-balanced and there is not one that prevails excessively on the other; then, it’s desirable that such a combination of ingredients produces a music that’s original as it’s enjoyable and nice to hear. The Last Rain, which is the new album released by Cân Bardd, aims at blending together atmospheric black metal with folk music. And the goal is achieved with excellent results on all fronts: fluidity, balance and originality.
To make things even more amazing, we shall consider that Cân Bardd is basically a one-man-band project created by Malo Civelli, from Switzerland, and that The Last Rain is just his second LP after last year’s debut LP Nature Stays Silent. Everything suggests here that we’re in front of another creative genius of black atmospheric music and, in this respect, it’s fairly curious that this album arrives just a few weeks after we enjoyed Emin Guliyev‘s new Violet Cold LP. Civelli and Guliyev evidently share the same tastes for atmospheric and evocative music, but also a similar approach to composition and recording.
As said, Marco Civelli plays all the main instruments that we hear in his songs: guitars, bass, vocals and keyboards. Keyboards and orchestration, in particular, seem to play a fairly important role in Civelli’s music and it’s not by chance that he’s also the keyboardist of another Swiss folk metal act called Kaatarakt, which has released to date a couple of nice EPs. As we could expect, atmospheric and folk components have a prominent role in The Last Rain. In the album, there are really many long sections, and even one entire song (Fog of War), without the presence of a proper metal section. This stylistic choice creates a situation in which the artist draws fascinating and evocative musical landscapes that slowly become darker, and incrementally loaded with underlying energy and tension until the heaviest sections eventually arrive and shock the listener with dramatic power and the intrinsic sadness of black metal progressions. This process takes place with remarkable naturalness, and the softer and heavier moments alternate in an absolutely brilliant way. As a matter of fact, The Last Rain demonstrates a maturity of songwriting and also a musical sensibility that many bands reach only after decades of extensive playing, if they get it at all.
The Last Rain is an excellent new entry in that category of albums which manage to combine elegance with desperation, delicacy with heaviness, originality with enjoyability. And it’s also a work that allows us to appreciate the qualities of a promising musician, one who has managed to achieve an impressive level of maturity in the time-span of just a few years.
My overall rating for the LP is 7/10. My favourite song of the album is Celestial Horizon.