Speaking about the skills and talent of German-born pianist Benny Lackner, someone once said that he doesn’t have to be afraid of any comparisons to composers like Keith Jarrett or Brad Mehldau, and that “he has found his place in the upper league of Jazz Piano Trios“. Of course, this looks like an important and bold statement, which in any case reinforces an objective reality: the music composed by Lackner and played by the pianist with his bandmates is absolutely profound and engaging.
I can’t judge today whether the comparison between Lackner and the two above mentioned masters of “Jazz Trio” is correct or not. What I can say, for sure, is that the direction undertaken by Lackner to reach the top seems the right one one. Jarreth and Mehldau (who’s been one of Lackner’s mentors, by the way) have contributed to the development of this genre of Jazz with a depth and a resonance that perhaps is still unsurpassed; Lackner’s musical production, in any case, can be definitely considered within the most precious and exciting things we heard in the last few years.
Drake is the new album from the Benny Lackner Trio, and since the first time I started listening to it there has been one special thing which amazed me more everything else, and this is the adoption of an extremely essential musical language, at times minimal, which is incredibly far from those mere demonstrations of technique and virtuosity that too often we hear in modern Jazz. In this sense, Lackner has found a extremely personal code for breaking the rules of standard Piano Trio music. The modernity and innovation of Lackner ‘s style, to some extent, are the characteristics that bring him closer to the giants of Jazz that were mentioned before.
Drake offers to the listeners a very elegant, sober, and extremely delicate collection of Jazz music blended with contemporary electronic elements. The piano is at the centre of every composition, but we would make a great mistake by relegating the two supporting musicians (bassist Jerome Regard and drummer Matthieu Chazarenc) to the role of pure accompaniment. The two are in fact the architects of those rarefied and magical atmospheres that we find in all the tracks of the LP.
The rhythms in Drake are moderately slow. All the chords, and sometimes the single notes, seem to arrive after a profound phase of reflection on the harmonic and melodic effect they will produce on the song. There is little sense of spontaneousness, and we don’t feel either the immediacy of the typical Jazz improvisation process, which is however compensated by a persistent attention to maintaining a constant sonic balance throughout the pieces.
The result is a music that, at least from an objective point of view, should appear cold, almost mathematical, but that actually evokes continuous streams of emotions. That’s the magic and uniqueness of Lackner’s music, which, in the end, is absolutely enjoyable to listen to.
My overall rating for the LP is 8/10. This is one of the best Jazz albums among those I’ve listened so far in 2019. It’s not easy to indicate which are my favourite pieces because it’s the overall level of quality of the LP which makes the difference. Anyway, there are a bunch of songs which evoked the strongest emotions: Tears, It’s Gonna Happen, Yorke and the opening track I Told You so.
Drake is available on iTunes and it can be streamed also from Spotify. The album is now featured in The JAZZ MUSIC Radar, which is the playlist collecting the best Jazz songs released since the beginning of the year.